SKA - THE 3RD WAVE (Part 1 ): THE SCOFFLAWS

I am proud to have known, ate, hung out with, and made music with at least a few of the ever changing line up of THE SCOFFLAWS. They started out in the mid-1980's in Huntington, Long Island . They were first called the "New Bohemians" but then some sucky band in Texas bought the name from them ( DAMN YOU EDIE BRICKELL) and in 1989 they changed their name to the Scofflaws. In my opinion the 3rd wave SKA revival in the late 1990's could not have HAPPENED without their incredibly tight, fun, popular live shows. Their debut CD was released in 1991 and contains many of the staples of their live shows.

GOING BACK TO KINGSTON (MP3) and SKA-LA-CARTE (MP3) are just two of the many highlights from that CD. The live shows kept packing them in. I have many a great memory of seeing them playing to enthusiastic crowds in now long gone places like NEW YORK AVENUE in Huntington Village.

The second CD, SKA IN HI-FI was produced by my good friend, their Bass player (and a fellow class of 1985 Huntington High School Graduate) Victor Rice. They wanted this second album to sound like it was recorded in Jamaica in the late 60's and I think they succeeded in that experiment. Just listen to NUDE BEACH (MP3) and tell me it doesn't put you on the shores of the Caribbean.

So then........a young sax player by the name of Nick Martielli writes a song for our friends in the Scofflaws called "SPIDER ON MY BED" and wouldn't you know it, they record it and put it on SKA IN HI-FI. This then inspires Martielli to form his OWN band (and asks me to join in as their Keyboard player and singer) and we release VOYAGE TO THE PALACE OF KALI. There will be a lot more on all that later, but long story short, THAT CD becomes a success, and I think the way we produced that debut CD of OURS inspired the Scofflaws to make a REAL , nicely produced CD called RECORD OF CONVICTION. It had many of their most popular songs on it...just listen to the hooks galore in IN THE BASEMENT (MP3).

This'll Do Nicely

In the world of SKA, no band get's overlooked when speaking about the second wave more than BAD MANNERS. They kinda came too late to fully enjoy the 2-tone movement, and were too old to fully take advantage of the 3rd wave one. Too bad for them. They actually were one of the more lively bunch out there. being as they came to the party late, by the time they got a record deal in America, the Ska movement had died and New Wave was in full swing. They couldn't really DO New Wave well, but they gave it a shot.
" That'll Do Nicely" was one of the brighter spots of 1984. This is the 12-inch version, even WITH that little " Ooh....Ah....Ooh...Ah" breakdown that sounds a little too close to FRANKIE GOES TO HOLLYWOOD the 12-inch remix is much superior to the 7-inch version although that one has it's charms .

General Public

They were never going to be as cool as THE BEAT (or THE ENGLISH BEAT as they were known here in the US) But General Public still had a little bit of that 2-tone reggae beat. Especially the final track from their debute LP ALL THE RAGE.

This is the special 12-inch mix of "GENERAL PUBLIC" 12-inch version (MP3). To me this kicks the ass of the LP version. From the opening organ riff to the dub breakdown in the middle. This is truely a lost classic that deserves another listen. It wasn't all Tenderness you know.

The Higsons - Run Me Down

The Higsons have never had luck with timing. They signed to the influential 2nd-wave SKA lable 2-TONE just as that scene was dying and a new one emerging. The Higsons were neither SKA nor New Wave but something in between. Their most commercial song " Run Me Down " was a medium success in their native U.K. and a local hit on influential Long Island radio station WLIR.

This here is the 12-inch version.

Marking The Higsons exit from 2 Tone, the band returned to official independent label status with their next single, "Got To Get This Heat Out" (WAAP 3), in July 1983. Their debut album 'Curse of The Higsons', finally materialised on Upright in October 1984. Terry Edwards fonts his own band these days and is a prolific session player, while Charlie Higson found fame with Paul Whitehouse on TV's The Fast Show.

THE HIGSONS - RUN ME DOWN (EXTENDED MIX)

THE HIGSONS - RUN ME DOWN (EDIT)